
Mackie
Mackie ProFX16v3 Analog Mixer - 16 Channels, 11 Onyx Mic Preamps, Effects and USB
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Compact 8-channel analog mixer that also records: 4 XMAX preamps, 8 × 4 USB-C interface in 24-bit/96 kHz, stereo SD card recorder, Bluetooth and 16 effects. For podcasts, live streams and rehearsals, in 3.2 kg.
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Casablanca store
Free pickup
Témara pickup point
Free pickup
2 years warranty — free repair in Morocco if it breaks down during the warranty period
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A compact analog mixer for podcasts, live streams and rehearsals: the PreSonus StudioLive AR8c brings together 8 channels, an 8 × 4 USB-C audio interface and an SD recorder in 3.2 kg.
Inputs: 4 XMAX mic preamps, 2 Hi-Z instrument inputs, 2 pairs of stereo line inputs, 48 V phantom
Recording: every channel and the mix over USB, 24-bit / 96 kHz; stereo mix on SD card
Processing: 3-band EQ on every channel, 16 built-in effects
Monitors: 1 Aux send and an FX output
Sources: Bluetooth, RCA and mini-jack on the Super Channel
The little sister of the AR12c, with rotary knobs, for a compact setup; Capture and Fender Studio Pro software included.
PreSonus StudioLive AR8c · Reference 2779206103
The AR8c fits on a corner of the desk: 280 mm wide and 3.2 kg for eight channels, four XMAX mic preamps, a USB-C audio interface and an SD card recorder. The small mixer for podcasts, live streams and rehearsals, controlled entirely with knobs.

The four XLR inputs are spread over mono channels 1 and 2 and over stereo channels 3/4 and 5/6. Channels 1 and 2 also accept a guitar or a bass in Hi-Z, the stereo channels a keyboard or a synthesizer at line level. Each channel has its three-band equalizer, its effects send and its Aux send, and the mono channels a low cut at 100 Hz.
The 7/8 Super Channel takes the RCA input, the 3.5 mm mini-jack, Bluetooth 5.0 and playback from the SD card or USB together: a jingle, hold music, a guest playing an excerpt. The stereo recorder captures the main mix as 24-bit WAV on SD or SDHC up to 32 GB, and the processor offers sixteen reverb, delay and chorus presets.
Over USB-C, the AR8c sends eight channels to the computer, every channel and the main mix, in 24-bit up to 96 kHz. Capture starts multitrack recording in one click, and its sessions open in Fender Studio Pro, supplied with product registration. For a podcast that needs little editing, the USB 1/2 Send button puts the main mix straight on the first two tracks.
At the back, the power switch, the IEC power inlet and the USB-C port.Bluetooth is for playback: the phone plays on the Super Channel. To pair it, hold the Pair button for three seconds until it flashes, then choose the mixer in the phone's list.
For more channels and faders, see our mixing consoles; see also the studio, podcast and music production range and all PreSonus products.
Values taken from the official PreSonus page of the StudioLive AR8c and from the StudioLive ARc series owner's manual.
| Weight (kg) | 3.2 kg |
|---|---|
| Bluetooth | Yes, Bluetooth 5.0 (audio reception on the Super Channel) |
| Dimensions (W x D x H) | 280 × 313 × 90 mm |
| Compatible operating systems | macOS and Windows |
| Box contents | StudioLive AR8c mixer, 1 m USB cable, IEC power cord, quick start guide |
| Headphone output | Stereo 6.35 mm jack, 150 mW per channel into 60 ohms |
| USB port | USB-C (USB 2.0 protocol) |
| Memory card | SD up to 2 GB (FAT16), SDHC up to 32 GB (FAT32), card not included |
| Included software | Capture (multitrack recording), Universal Control, Fender Studio Pro licence on product registration |
| Output connections | Main XLR, Control Room on TRS jacks, 1 Aux output, FX output, 6.35 mm headphone jack, footswitch jack |
| Input connections | 4 XLR, balanced 6.35 mm TRS jacks (2 mono channels and 2 stereo pairs), stereo RCA and 3.5 mm mini-jack on the Super Channel |
| Number of channels | 8: 2 mono and 2 stereo channels with mic input, plus the 7/8 stereo Super Channel |
| Mic preamps | 4 class A XMAX preamps, XLR inputs |
| Instrument inputs | 2 Hi-Z inputs on 6.35 mm jack (channels 1 and 2), switchable line/instrument |
| Channel EQ | 3 bands: treble ±15 dB at 10 kHz, mids ±15 dB at 2.5 kHz, bass ±15 dB at 100 Hz |
| Auxiliary buses | 1 auxiliary send with output (stage monitor) and 1 effects send |
| Simultaneous inputs/outputs | 8 inputs × 4 outputs over USB |
| Built-in effects | Stereo processor, 16 presets (reverbs, delays, chorus), dedicated send and return, footswitch mute (pedal not included) |
|---|---|
| Power supply | Mains, IEC cord included (European variant 220-240 V) |
| Phantom power | +48 V, global on all mic inputs |
| Mounting | Tabletop, or rack-mounted with the ear kit sold separately |
| Operating temperature | 0 to 40 °C |
| Product type | Analog mixer with USB audio interface and stereo SD card recorder |
| Internal recording | Stereo SD card recorder: main mix as 24-bit WAV at 44.1 kHz, WAV and MP3 playback |
| Level controls | Rotary knobs on the channels, sends and master |
| Lighting and indicators | Signal and clip LED on each channel, main bus meters from -24 to +15 dBu, effect preset display |
| Low-cut filter and attenuator | Low cut 100 Hz, -18 dB/octave on the mono channels |
| Conversion resolution | 24-bit, 44.1 / 48 / 88.2 / 96 kHz |
| Signal-to-noise ratio | 94 dB (mic preamp, +4 dBu) · 85 dB (line inputs) |
| Gain range | 43 dB on mic and instrument inputs (+12 to +55 dB), 40 dB on mono line inputs |
| Equivalent input noise (EIN) | Below -128 dBu (+55 dB gain, 150-ohm source) |
| Maximum input level | Mic +9 dBu · line +26 dBu · instrument +9 dBu (at minimum gain) |
| Maximum output level | Main XLR outputs +24 dBu · jack outputs +18 dBu |
| Warranty | 2 years |
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