Shure BLX14E/P98H — Wireless System with PGA98H Clip-On Instrument Microphone for Brass (H8E band)
Clipped directly onto the instrument, the microphone leaves the hands free and follows movement around the stage. Range of 100 metres, 14 hours of operation on two AA batteries and a free frequency found by automatic scanning.
Clip-on capsule for the instrument, hands free
Range up to 100 metres
Battery life of 14 hours on two AA batteries
Automatic search for a free frequency
Channel selection with a single button
Receiver, transmitter and power cable supplied
Ref.: BLX14E/P98H-H8E
New
Out of stock
1/6
6 569,00 DHincl. VAT
Out of stock
Product overview
Discover freedom of expression with the Shure BLX wireless microphone system, designed for musicians and event professionals. This system offers remarkable audio quality, a 100-metre range and 14 hours of battery life. Thanks to its quick setup, you will be up and running in no time, whether for a concert or a conference. With a range of legendary microphones such as the SM58, the BLX gives you professional sound and hassle-free setup.
-52 dBV/Pa (2.51 mV) at 1 kHz for the PGA98H capsule
Self-noise
27 dB SPL A-weighted for the PGA98H capsule
Frequency bands
H8E band: 518 to 542 MHz
Weight
BLX4 receiver: 241 g; BLX1 transmitter: 75 g without batteries; PGA98H-TQG capsule: 75 g
Power supply
Bodypack transmitter: 2 AA 1.5 V alkaline batteries; receiver: 12 to 15 V DC power adapter
Phantom power required
No (the TQG capsule is powered by the bodypack transmitter, on AA batteries)
Technical specifications (continued)
Runtime
Up to 14 h (2 AA alkaline batteries)
Microphone type
Instrument microphone
Microphone use
Instrument
Power supply included
External PS24 power adapter included for the receiver
Wireless range
Up to 91 m line of sight
Internal recording
None
Controls
On the receiver: on/off and group and channel scan; on the transmitter: gain adjustment
Lighting and indicators
Green or red audio indicator, green ready indicator and LED group and channel display
Impedance
600 ohms for the PGA98H-TQG capsule; 200 ohms on the receiver's XLR output
Conversion resolution
None (analogue radio link, no converter)
Management software
None
Dynamic range
100 dB (A-weighted, typical)
Maximum sound pressure level
130 dB SPL (1% THD at 1 kHz, 1 kohm load) for the PGA98H capsule
Warranty
1 year
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Frequently asked questions
What are the delivery times and fees?
Delivery all over Morocco within 1 to 5 working days, at the same rate in every city for parcels up to 30 kg — and free delivery from 3 000 dh of purchases. Above 30 kg, the rate follows the weight and is shown on the product page and in the basket. You are notified by SMS, then called by the courier.
Is the product new and under warranty?
Yes: a new, genuine product, delivered in its original packaging with an invoice. The invoice serves as the warranty document (1 year) with the manufacturer's after-sales service in Morocco.
Can I collect my order in store?
Yes, at the Casablanca store (Mon–Fri 10am–7pm · Sat 10am–2pm) or the Témara collection point (Mon–Fri 8.30am–1pm / 2–6pm · Sat 8.30am–12.30pm). Payment on site: cash, bank card via terminal, certified cheque.
Which payment methods do you accept?
Bank card online (secure Attijari Payment), cash on delivery, bank transfer and certified cheque. All our prices are in dirhams, VAT included.
Can I get an invoice in my company's name (with its ICE)?
Yes. Provide your company's legal name and ICE when ordering: the invoice is issued in its name and enclosed with the parcel (handed over with the order for in-store collection). Companies and public bodies can also request a quote — reply within 24 working hours.
Two gain steps, +18 or +28 dB, delivered by the on-board preamp: any interface can keep up, even on a soft voice. A switch bypasses it to return to the original behaviour of the SM7B.
•Built-in preamp: +18 dB or +28 dB of extra gain, with no background noise
•Bypass switch to return to the original behaviour of the SM7B
•Preamp powered by the 48 V of an interface or a mixing desk
Close-miked radio or podcast voice: the pop filter holds even on a whisper, and the shielding cuts hum from screens and power supplies. Two switches adjust the bass and the presence.
•Uniform cardioid pattern, off-axis sound rejected without colouration
A second microphone or a guitar plugs in at the back: two channels recorded to a computer, tablet or phone with no external interface. 48 V phantom power, +60 dB of gain and latency-free headphone monitoring.
Discreet on a jacket lapel, the lavalier microphone leaves the hands free for a conference or an interview. The bodypack transmitter runs for over 14 hours on two AA batteries.
•ULM18 lavalier microphone with a cardioid pattern, which limits feedback
A touch LED strip that acts as a live level meter and mutes the pickup with one press, among 16.8 million colours. Headphone output for monitoring, an all-metal body and an adjustable yoke for a stand or a boom.
No accessories to buy separately: the pop filter and the shock mount are housed in the body. Pickup concentrates on the voice in front of the grille and connects over XLR, with no phantom power to provide.
Studio, podcast or voice recording: it connects over XLR to an audio interface or a mixing desk. Its 80 Hz low-cut filter keeps room rumble out for a clean voice from the first take.
•XLR connection: requires an audio interface or a mixing desk
Chrome-plated with light blue trim, it catches the eye as much as it holds its place: the tight front pickup rejects sound from the sides and pushes back feedback. The capsule is shock-mounted, free of handling noise.
XLR connection: needs an interface or a preamp offering at least +60 dB of gain
•Very effective pop filter, down to whispered voices
In stock
6 069 DHincl. VAT6 069,00 DHincl. VAT
Delivery everywhereDelivered all over Morocco
•Plugs in over USB-C to a computer, tablet or smartphone
•Built-in audio interface: XLR combo input and 6.35 mm jack for a second microphone or an instrument
Amplified guitar, saxophone, drums or brass: the pickup stays centred on the instrument and leaves aside what comes from the sides, with high gain before feedback. It connects over XLR to an audio interface or a mixing desk.
•High gain before feedback
•Marked rejection of sound coming from the sides and the rear
•XLR connection: requires an audio interface or a mixing desk
In front of a guitar amp, a snare drum or a brass instrument, it takes high levels without distorting. Its internal shock mount absorbs handling noise, and its build takes years of stage work.
•Cardioid pattern: isolates the instrument in front and rejects sound coming from behind
Ten minutes of charging give back two hours of singing, and you keep singing while the microphone recharges on the speaker. Up to 20 hours of battery life, 30 metres of freedom with the dongle, built-in pop filter and shock mount.
A large diaphragm that flatters the spoken and sung voice, and a 144 dB SPL handling that copes with a guitar amp or a snare drum. It connects to an audio interface or a desk able to supply +48 V.
Fed with +48 V phantom power from an audio interface or a mixing desk, this home-studio classic suits the voice as well as acoustic instruments. Steel body, swivel mount and carrying pouch included.
•+48 V phantom power required: audio interface or mixing desk
Fourteen hours of operation on two AA batteries and up to 100 metres of freedom around the receiver. The automatic scan finds a clear frequency and a single press selects it: everything is ready in seconds.
A one-inch brass dual-diaphragm capsule: controlled bass, detailed highs and a reduced proximity effect. Shielding blocks interference from Wi-Fi and phones, and the pop filter is already in the grille.